Saturday, 24 May 2008

SESA Mailbag #237

Dear Channel Ten,

Back in August of last year, you impressed us all with the news that you would be 'fast-tracking' House - meaning that you would be showing it 'fresh off the satellite' a bit under a week after it screened in the US, instead of what you usually do, which is holding shows that start in the US in September for the start of our ratings year, the following February.

You were doing this for us, you said. We knew you were in fact doing this to try to slow the spread of downlaoding biting into your ratings, but still, we were appreciative. Better than nothing, right?

And then the writers went on strike, and House (and Life, and Journeyman, and Supernatural, and all the other shows you were 'fast-tracking') close up production and you were left with the opening of a ratings season with no new episodes of anything (except, oddly, for two episodes of Life you never screened, for some reason that no-one understands). And it sucked for you.

But here's the bit you may not have heard: the writers strike is over. It ended MONTHS ago. David Shore and the House team went back into the studio and produced four of their best episodes yet to wrap up the season.

The second part of the two-part season finale aired in the US a week ago. It was awesome and involving and sad and gripping and filled with OMFGoodness in spades.

To date, you have aired one new episode. After running a brief but intense 'House is Back!' campaign, you aired one new episode, before resuming the steady diet of repeats we've been fed for months now.

So, what happened to the fast-tracking?

I mean, it doesn't matter to me - I've seen everything you're not showing me now, and even if you decided to get your arse into gear, I still wouldn't bother watching. And I dare say I'm not the only one who's given up on your shit to get their TV when they want it.

(You could pass that last bit onto messers Nine and Seven, who have the rights to Pushing Daisies, Gossip Girl and Chuck, but see no reason to air them ...)

It's a bit of a shame for all of you, really. I'm a good little consumer and in your target demographic, but I am no longer buying what you are selling. And I love television of all kinds, and will happily spread the word, both to my real life friends and all over the interweb - if I see something worth watching.

The thing is this: I have no wish to be a downloader. There is a little part of me that would rather not do it. Unfortunately, I am also a citizen of cyberworld, and as such, I'm somewhat compelled. The watercooler that I gather around to discuss my favourite TV shows is no longer in the corner of my office - it's in my computer and all over the world. And sadly, it just doesn't cut it out here if you're six months behind - nor will the fans in the US and UK think not to discuss the surprise death in the season finale all over the internet just because some suckers in Australia haven't seen it yet and don't wish to be spoiled.

And to that, you could tell me that I could just stay away from the various websites that are most likely to spoil me, and hold off on my discussion, or limit it to the lameness that is The Tribal Mind. But that's not really likely to help when YOU are just as likely to spoil me as anyone else. Remember when Marissa Cooper died? Remember those weeks of promos you ran advising me to watch the lead-up to the season finale in which Marissa Cooper will die!!!

Because that was meant to be a SURPRISE. We weren't meant to know about it until it happened. If you'd fast-tracked the show a) you wouldn't have been able to run weeks of promos spoiling us all and b) we might have had a chance to actually be shocked.

So, no, I can't just stay off the internet for the months between when they air it and when you air it. I have to stay off the network instead.

Or I could just download it. And sure, I might feel a little bad about it, but it's better than the alternative. And once I start downloading it, what do you think the chances are that I'll ever stop and come back to you? Seriously.

No longer yours,

Chesty LaRue

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Wednesday, 23 January 2008

Pushing Daisies for EVERYONE

Aha!

Now everyone gets to enjoy the beauty that is Pushing Daisies...

'Cept it's on Channel Nine, so you just know they're going to stuff it up.

And I don't know when it starts...



This post brought to you by the letters P and E* and the number 'Why the hell am I still awake?'





*Pure Exhaustion, dontcha know...

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Wednesday, 7 November 2007

Breaking all the Rules

I have finally got a handle on this modern "down-loading" caper.

It was necessitated by MrB stuffing up the recording of 2 eps of SYTYCD (It's been so polite of you not to comment the missing recaps...), and I was pointed in the right direction by a member of the TWoP community who introduced me to TVtorrents.com... I was then led by the hand over the final hurdles by the delightful KillerRabbit (who has the most loveliest voice imaginable!

MrB has always had a very strong opinion on copyright theft, having seen friends struggling to make a living through recording, and so he was quite reticent about downloading. He grew less reluctant when confronted with
a) my withering wrath at being sytycd-less.

b) the fact that you can't actually get sytycd eps unless you download them as Fox has declined to provide them in any legal get-able form.

So with the two eps in the bag, I mentioned a show that I had read about on TWoP and which sounded most quirk-filled and awesome. So we downloaded the pilot and sat and watched it. And it was indeed the best televisual experience of the year.


We watched the pie-lette, and then the next two episodes, all in one hit of saccharine sweet surrealness and I just can't get enough of it.

It's about a man who can bring the dead to life again. But only for a minute. If the undead stay alive for more than 60 seconds, someone/thing else dies in their place. And if Ned touches the Undead again, they die again. Forever. Ned is a pie-maker by trade, but he dabbles in a reward-money-collecting-scheme on the side. He uses his gift to wake murder victims, ask who murdered them, zaps 'em again then collects the reward money for solving the crime... It's very lucrative!

Anyway, it's more than the surreal premise, it's bright colours and joy and happiness, it's Anna Friel and a wardrobe to die for, it's Kristin Chenoweth breaking randomly into song, it's the whole damn package and I'm hooked.

So, sorry for the rambling. I just felt the need to share...

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